Canon IPF8100 Natural Choice for Contemporary Landscape Artist
The Photographer
David Anthony Hall plans his pictures months, now and again even years in advance. He visits places numerous instances to get just the right herbal lighting fixtures situations with a purpose to capture the perfect shot. For the self-professed nature devotee, taking panoramic snap shots of arrestingly lovely surroundings is hardly ever an arduous undertaking. "When you like what you do, you may never must paintings an afternoon on your life." says David. His photos are expansive no longer simply in size but in the stage of content material they express and are filled with a passion he captures so vividly and with such first rate element.
Born in Dublin in 1969, he first discovered his love for images at school while he processed some of his father's antique negatives for a class task. He trained as a graphic artist then studied images at Dun Laoghaire School of Art and Design (now the Institute of Art). His first function turned into as a nonetheless life photographer after coming to London in 1990. He then installation his personal business studio in West London in 1994. Several years later, after going for walks a a hit photographic employer, Photohall Ltd, he decided to concentrate on his very own paintings and ardour as a panorama artist.
The Art
Using the medium of photography and large format print to seize his expansive nature photographs is surely a completely precise path to follow. It's now not as if one detail on its very own isn't always enough to captivate an target market! Yet blended they mixture flawlessly; fusing incredible images, design and printing strategies seamlessly to provide breath taking panoramic expression. David's photos are rarely restricted with the aid of a viewfinder. He shoots a chain of shots which he later pulls together to capture the vista he desires to portray. The sheer scale of his paintings lends itself to large format print at its absolute high-quality. David's sells an picture each yr for charity, a d 2.7m huge and 1.5m high entitled 'Autumn Light', was bought for charity in 2009, raising a super £7500. The photo turned into imprinted on the 12 shade Canon Image PROGRAF iPF9100. The proceeds wherein break up among, Cancer Research, McMillan Cancer Support and Bart's Hospital East Wing, and committed to the reminiscence of David's herbal father Antonio Senezio, who died of most cancers in 2007. He has due to the fact donated numerous more photographs to diverse charities, which include PhotoVoice and Marie Curie Cancer Care. In 2011 he supplied a fantastic image entitled 'Bluebell Woodland' which sold for £10,000 for the Children's Acute Transport Service CATS.
David produces around 12 finished pieces in line with year, frequently travelling places in many instances to extract the right shot. He will on occasion wait days, weeks, or even months for the right lighting conditions. He takes into account the various trajectories of the sun as the earth orbits at some stage in the season, in addition to lunar tidal rhythm to benefit the excellent viable shot.
Using his Canon EOS-1Ds Mark IIl, David shoots the pix the usage of lenses starting from his favoured 50mm to a 100mm and occasionally even a 300mm. By using a number of panoramic techniques he is able to seize a sequence of pictures which he later weaves collectively in his digital darkroom.
David employs a extra conventional technique to his pictures, as he would have as soon as with a film digital camera. Whilst he believes the digital technology has enabled photographers to speed up the process, he additionally believes it creates a tendency to hurry the results. Image fulfillment is often decided by way of what is revealed inside the display and now not just what the digicam can do. For David the installation of the shot is as tons a critical detail of the process, as the camera itself. Slowing the whole thing down, taking his time and developing 'respiration area' enables him to seize better effects. "You shouldn't rush photography: the key is preventing, slowing and taking some time. There's insecurity inside the photographic enterprise which makes photographers accept as true with they want massive cameras to be a better photographer. But in case you're now not in the proper location at the right time it might not work, no matter which digicam you have!"
The Printing
Until recently David's courting with Canon had never prolonged past his use in their cameras. After seeing the best of his charity piece 'Autumn Light' produced through the Canon distributor Velmex Distribution, David turned into extraordinarily glad to take delivery of his new printer a, 44" 12 colour Image PROGRAF iPF8100, huge format printer, soon after the occasion. "What struck me to begin with become just how quiet the Canon become. My preceding A1 device wasn't a Canon product; it was very sluggish and enormously noisy".
Before using the Canon iPF8100, David might regularly produce 5, complete sized, pieces as a way to get the precise coloration healthy earlier than he changed into glad. Thanks to the versatile nature of the iPF8100 he is now able to produce a complete width slice of his print (emulating a darkish room style crop) so that you can fit it at any factor. "This alone is saving me 3 instances as a whole lot media." He said. The cause this is feasible is due to a unique Adobe plug-in that includes the printer. "The Adobe plug-in is first rate! It's very smooth to use, brief and handy. It offers me general manipulate over the color output I produce. It saves me loads of media and I don't should mess around with custom sizing, plus I can print instantly from Photoshop without a need to resave files first."
When Adobe Photoshop sends a 16 bit image to be revealed it does so in eight bit format, that is because most running structures do no longer typically aid sixteen bit documents to the print motive force. The end result is a lower excellent output, despite the fact that the printer can produce a better great picture. The Canon Photoshop plug-in can mechanically convert a 16 bit photograph in Photoshop, to a 12 bit interpolated photo for the printer, taking pictures the most desirable fine to be had. The eye is unable to differentiate the distinction between 12 bit and sixteen bit, but among an eight bit and 12 bit output the distinction, even to the untrained eye, is sizeable. "16 bit gives extremely good gradation on my 3 meter pictures, it makes a large difference to my sort of work. Now, from image seize to output I actually have the potential to print at the very best excellent. The distinction is obvious to me, in particular inside the sharpness of element I get in blue skies or the detail of vegetables, in which otherwise the 8 bit version can seem flat."
Because David produces variations of his work, the output have to be exactly the equal from the primary to the final image. "The Canon drivers furnished with the printer offer outstanding color accuracy, any breakdown in the color chain isn't always perfect to me. Canons color reproduction is spot on on every occasion. As long because the input is managed I do not should worry at all about the output, I understand it will be accurate. Profiles live the equal no matter motive force updates and photograph reproduction is specific every time. The 12 colour LUCIA inks has a huge colour gamut as well, extra red, inexperienced and blue inks increase the outer spectrum giving me some thing as near a lab method as, I think, inkjet can produce. The 4 black inks supply a ways extra shadow detail, plus once more there's a saving on ink charges as much less blending is needed. Simply positioned it method I use a ways much less ink!"
The thought at the back of David's pictures is to seize nature in its purest form. However to do that justice and to breed on any such huge scale, large amounts of facts turns into the primary factor.
The pictures are all shot in RAW format creating photograph sizes everywhere from a hundred and fifty mega pixels to 200 mega pixels, growing a degree of sharpness and element critical when printing at this scale. "Because the scale of my files are so huge, upwards of 4GB, having an 80GB difficult-force is worthwhile. The documents down load immediately to the printer liberating up my laptop and the printer will begin to print even before the file has completely downloaded. The twin print-heads offer me outstanding fast printing. The print-heads are semi permanent functions that do not need changing with each ink trade plus I can replace the print heads myself. This gives me a cost saving I'd now not anticipated, and and not using a down time. The ink cartridges are available in 700ml and 300ml tanks and may be hot swapped at the same time as the machine is going for walks, making it exceedingly versatile whilst printing my three metre photos. The printer additionally has a reserve tank which stores ink to make certain the print is completed with out preventing. This prevents any threat of having a dry line through the center of a print. Something you don't need while printing three meter pictures!"
These large layout printers may be controlled honestly by the 'Canon Job Manager' a tool that David has observed priceless when walking his print jobs. "Previously Digital agency dublin I might estimate my ink fees by way of task as I didn't have the equal degree of detail I have now with 'Job Manager'. I can access it through any web browser allowing me to test the ink utilization on every print. I also can check ink tiers, which paper I've loaded inside the printer and the period and width of the roll. I am now in whole manage of all my printing costs, some thing that I really didn't have earlier than".
Archival work
The technique David employs to finish his prints is 'Face Mounting directly to Perspex'. This is a system in which the completed print is sandwiched between a chunk of Perspex and Dibond or an Aluminium backing sheet. Recent research by using Wilhem-Research.Com indicates that a coloration print from a Canon 12 colour Image PROGRAF iPF6100*, on gloss media below a Perspex substrate ought to provide a mild fastness of 176 years. "This is one hundred and one years longer than my previous printer should claim giving my customers a better archival fee."
What's subsequent?
His plans for the destiny involve bigger and extra public installations. But one component is for positive, for David Anthony Hall big layout printing and images are actually an crucial blend of every other. The problematic seize of the Canon EOS- Ds Mark III and precision output of his Canon iPF8100 big format printer has come to be the model for his awesome expression of natural landscape art.
David Anthony Hall plans his pictures months, now and again even years in advance. He visits places numerous instances to get just the right herbal lighting fixtures situations with a purpose to capture the perfect shot. For the self-professed nature devotee, taking panoramic snap shots of arrestingly lovely surroundings is hardly ever an arduous undertaking. "When you like what you do, you may never must paintings an afternoon on your life." says David. His photos are expansive no longer simply in size but in the stage of content material they express and are filled with a passion he captures so vividly and with such first rate element.
Born in Dublin in 1969, he first discovered his love for images at school while he processed some of his father's antique negatives for a class task. He trained as a graphic artist then studied images at Dun Laoghaire School of Art and Design (now the Institute of Art). His first function turned into as a nonetheless life photographer after coming to London in 1990. He then installation his personal business studio in West London in 1994. Several years later, after going for walks a a hit photographic employer, Photohall Ltd, he decided to concentrate on his very own paintings and ardour as a panorama artist.
The Art
Using the medium of photography and large format print to seize his expansive nature photographs is surely a completely precise path to follow. It's now not as if one detail on its very own isn't always enough to captivate an target market! Yet blended they mixture flawlessly; fusing incredible images, design and printing strategies seamlessly to provide breath taking panoramic expression. David's photos are rarely restricted with the aid of a viewfinder. He shoots a chain of shots which he later pulls together to capture the vista he desires to portray. The sheer scale of his paintings lends itself to large format print at its absolute high-quality. David's sells an picture each yr for charity, a d 2.7m huge and 1.5m high entitled 'Autumn Light', was bought for charity in 2009, raising a super £7500. The photo turned into imprinted on the 12 shade Canon Image PROGRAF iPF9100. The proceeds wherein break up among, Cancer Research, McMillan Cancer Support and Bart's Hospital East Wing, and committed to the reminiscence of David's herbal father Antonio Senezio, who died of most cancers in 2007. He has due to the fact donated numerous more photographs to diverse charities, which include PhotoVoice and Marie Curie Cancer Care. In 2011 he supplied a fantastic image entitled 'Bluebell Woodland' which sold for £10,000 for the Children's Acute Transport Service CATS.
David produces around 12 finished pieces in line with year, frequently travelling places in many instances to extract the right shot. He will on occasion wait days, weeks, or even months for the right lighting conditions. He takes into account the various trajectories of the sun as the earth orbits at some stage in the season, in addition to lunar tidal rhythm to benefit the excellent viable shot.
Using his Canon EOS-1Ds Mark IIl, David shoots the pix the usage of lenses starting from his favoured 50mm to a 100mm and occasionally even a 300mm. By using a number of panoramic techniques he is able to seize a sequence of pictures which he later weaves collectively in his digital darkroom.
David employs a extra conventional technique to his pictures, as he would have as soon as with a film digital camera. Whilst he believes the digital technology has enabled photographers to speed up the process, he additionally believes it creates a tendency to hurry the results. Image fulfillment is often decided by way of what is revealed inside the display and now not just what the digicam can do. For David the installation of the shot is as tons a critical detail of the process, as the camera itself. Slowing the whole thing down, taking his time and developing 'respiration area' enables him to seize better effects. "You shouldn't rush photography: the key is preventing, slowing and taking some time. There's insecurity inside the photographic enterprise which makes photographers accept as true with they want massive cameras to be a better photographer. But in case you're now not in the proper location at the right time it might not work, no matter which digicam you have!"
The Printing
Until recently David's courting with Canon had never prolonged past his use in their cameras. After seeing the best of his charity piece 'Autumn Light' produced through the Canon distributor Velmex Distribution, David turned into extraordinarily glad to take delivery of his new printer a, 44" 12 colour Image PROGRAF iPF8100, huge format printer, soon after the occasion. "What struck me to begin with become just how quiet the Canon become. My preceding A1 device wasn't a Canon product; it was very sluggish and enormously noisy".
Before using the Canon iPF8100, David might regularly produce 5, complete sized, pieces as a way to get the precise coloration healthy earlier than he changed into glad. Thanks to the versatile nature of the iPF8100 he is now able to produce a complete width slice of his print (emulating a darkish room style crop) so that you can fit it at any factor. "This alone is saving me 3 instances as a whole lot media." He said. The cause this is feasible is due to a unique Adobe plug-in that includes the printer. "The Adobe plug-in is first rate! It's very smooth to use, brief and handy. It offers me general manipulate over the color output I produce. It saves me loads of media and I don't should mess around with custom sizing, plus I can print instantly from Photoshop without a need to resave files first."
When Adobe Photoshop sends a 16 bit image to be revealed it does so in eight bit format, that is because most running structures do no longer typically aid sixteen bit documents to the print motive force. The end result is a lower excellent output, despite the fact that the printer can produce a better great picture. The Canon Photoshop plug-in can mechanically convert a 16 bit photograph in Photoshop, to a 12 bit interpolated photo for the printer, taking pictures the most desirable fine to be had. The eye is unable to differentiate the distinction between 12 bit and sixteen bit, but among an eight bit and 12 bit output the distinction, even to the untrained eye, is sizeable. "16 bit gives extremely good gradation on my 3 meter pictures, it makes a large difference to my sort of work. Now, from image seize to output I actually have the potential to print at the very best excellent. The distinction is obvious to me, in particular inside the sharpness of element I get in blue skies or the detail of vegetables, in which otherwise the 8 bit version can seem flat."
Because David produces variations of his work, the output have to be exactly the equal from the primary to the final image. "The Canon drivers furnished with the printer offer outstanding color accuracy, any breakdown in the color chain isn't always perfect to me. Canons color reproduction is spot on on every occasion. As long because the input is managed I do not should worry at all about the output, I understand it will be accurate. Profiles live the equal no matter motive force updates and photograph reproduction is specific every time. The 12 colour LUCIA inks has a huge colour gamut as well, extra red, inexperienced and blue inks increase the outer spectrum giving me some thing as near a lab method as, I think, inkjet can produce. The 4 black inks supply a ways extra shadow detail, plus once more there's a saving on ink charges as much less blending is needed. Simply positioned it method I use a ways much less ink!"
The thought at the back of David's pictures is to seize nature in its purest form. However to do that justice and to breed on any such huge scale, large amounts of facts turns into the primary factor.
The pictures are all shot in RAW format creating photograph sizes everywhere from a hundred and fifty mega pixels to 200 mega pixels, growing a degree of sharpness and element critical when printing at this scale. "Because the scale of my files are so huge, upwards of 4GB, having an 80GB difficult-force is worthwhile. The documents down load immediately to the printer liberating up my laptop and the printer will begin to print even before the file has completely downloaded. The twin print-heads offer me outstanding fast printing. The print-heads are semi permanent functions that do not need changing with each ink trade plus I can replace the print heads myself. This gives me a cost saving I'd now not anticipated, and and not using a down time. The ink cartridges are available in 700ml and 300ml tanks and may be hot swapped at the same time as the machine is going for walks, making it exceedingly versatile whilst printing my three metre photos. The printer additionally has a reserve tank which stores ink to make certain the print is completed with out preventing. This prevents any threat of having a dry line through the center of a print. Something you don't need while printing three meter pictures!"
These large layout printers may be controlled honestly by the 'Canon Job Manager' a tool that David has observed priceless when walking his print jobs. "Previously Digital agency dublin I might estimate my ink fees by way of task as I didn't have the equal degree of detail I have now with 'Job Manager'. I can access it through any web browser allowing me to test the ink utilization on every print. I also can check ink tiers, which paper I've loaded inside the printer and the period and width of the roll. I am now in whole manage of all my printing costs, some thing that I really didn't have earlier than".
Archival work
The technique David employs to finish his prints is 'Face Mounting directly to Perspex'. This is a system in which the completed print is sandwiched between a chunk of Perspex and Dibond or an Aluminium backing sheet. Recent research by using Wilhem-Research.Com indicates that a coloration print from a Canon 12 colour Image PROGRAF iPF6100*, on gloss media below a Perspex substrate ought to provide a mild fastness of 176 years. "This is one hundred and one years longer than my previous printer should claim giving my customers a better archival fee."
What's subsequent?
His plans for the destiny involve bigger and extra public installations. But one component is for positive, for David Anthony Hall big layout printing and images are actually an crucial blend of every other. The problematic seize of the Canon EOS- Ds Mark III and precision output of his Canon iPF8100 big format printer has come to be the model for his awesome expression of natural landscape art.
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